A vivacious bubbly woman in jeans and sandals with funky purple
glasses is coaxing the most glorious sounds imaginable out of twenty-one
high school boys. The "Dukes" warm up with enthusiastic
arpeggios, rising higher by semi-tones until she announces triumphantly "Well
done basses, B flat!".
This chamber choir comprises the best voices St Stithians College has to offer. And
Dalene is stretching them musically and intellectually. Judging by the frequent outbursts of
laughter, they are all having a good time too!
During a tricky acappella section in the jazzy Dem Dy Bones, the rhythm slows
of a little. "Keep it going with your hands," she asserts. They beat out
a fast tempo for a few bars and spontaneously syncopated rhythm drums up
between the rows of seated boys. A complex rhythmic counterpoint underpins
the delicious harmony and Dalene looks pleased.
Anybody who succeeds in getting the intense concentration of senior school
boys for three solid hours after they've come off the cricket pitch at 5pm
has got to be exceptional. She believes she is lucky. "Choir has always
been my hobby, now my hobby is my job." Her passionate musicality and
genuine delight in her charges, some looming a couple of feet above her,
radiates outward and reflects back in the energetic concentration of
excellent teamwork.
The discipline is barely perceptible, yet unmistakable in the tight rendition,
subtle blending and accurate rhythm. "Why didn't that work?" she encourages
the boys to think about how their voice operates. "Because there's no
breath support!" "Right," she says, "so support from your stomach, not
just your vocal cords." They try again, this time the sound is full and
confident.
"Drop your jaw... pianissimo... round that sound..." The boys press a
finger to one ear, listening, gauging their own pitch, "Listen to each
other, tenors" she calls from the piano. Te Quiero, a South American song
with difficult chromatic contours requires focused attention. "Hold the
pitch second basses...Yes... Brilliant!"
Dalene takes singing lessons with Alexander Schwartz, believing it imperative
to keep her own voice in shape. She passes on to each of the 5 choirs she
conducts the techniques essential to achieving optimal vocal quality. As
well as mothering her own three children. Dalene juggles her position as
Director of Music at St Stithians College with conducting the Wits
University Choir and her choirs at Saints.
She attends as many courses on choral conducting as possible with a view
to Iearning as much as possible. She attended the World Choir Symposium in
Sydney in 1996 and in Rotterdam in 1999 and brought back fresh ideas and
new songs from around the world. She perceives herself as primarily an
educationalist and combines the delicate balance of discipline and fun
with superb aplomb. "The kids really enjoy their music."
Dalene's tremendous giftedness lies not only in her astute musicality,
but in her ability to relate to teens and adults alike, charging them with
her infectious laughter and exuberant drive towards musical perfection.
The successful encouragement of a deep and lifelong Iove of music in young
people is a rare ability, which Dalene combines with tremendous verve and
joie de vivre.
Liesl Stacey |